RAAG - AASAVARI

Thaat Aasavari

Vadi D

Samvadi G

Time of Raga Second Prahar of the day

Jati Audav-Sampoorna

Varjya notes G and N in Aaroh

Type of notes G, D and N flat, rest are pure/shuddha

Aaroh S R M P D Ṡ

Avaroh Ṡ N D P M G R S ║

Starting Swar-vistar

SRSS Ṇ Ḑ Ṇ------S

S R M G R S, R M M P, M P G R, R M P D M P G R S,
RMPDMPD-------.Ṡ,.Ṙ .Ṡ ,.Ṡ N D P, M P N D P, M P D M P, G R, R M P G R S, Ṇ Ḑ S

Chota Khyaal : (Teen Taal)

Sthayi

ITNI BINATI SUN LIJO SHYAM MERI
JAWO NA CHHOD KE AB DUR NAGARIYA ║

Antara

TUM HI HO JEEVAN PRAN SAHARA
KYA KARU TUMBIN RAHO NA JAAT ║

Raag Aasavari : Notation—(Swar Lipi ) (While referring the notation,G,D ,N are flat denoted in red )

Sthayi

0 3 X 2
R M P N D P PD MP Ṡ N N NṠ Ṙ N D P

EE TA NI BI NA TI SU~ NA~ LI - JO SHA~ ~ MA ME RI

R M R M P M PD MP G G R S R R S S

JA WO NA CHO DA KE A~ BA~ DU - RA NA GA RI YA -

M M M M P P D D Ṡ Ṡ Ṡ Ṙ N N Ṡ -

TU MA HI HO JI - VA NA PRA - NA SA HA - RA -

D Ġ Ṙ Ṡ Ṙ N D P PD MP G - R - S -

KYA - KA RU TU MA BI NA RA~ HO~ NA - JA - TA -

Sthayi Alaap

After singing-----Itani Binati---------

1) S R M P | G - R S |
x 2
2) M P D P | G - R S |
x 2
3) SR MP D - | MP G R S |
x 2
4) MP DN Ṡ - | D - P - |
x 2
5) PD MP G - | R M P - |
x 2
After Singing full line
6) SR MP D - | Ṡ - D P |
0 3
M P G - | R - S - |
x 2
7) M P G - | R M P - |
0 3
PD MP Ṡ - | D - P - |
x 2


Antara Alaap

After Singing ‘Tum hi ho jeevan’
1) ṠṘ N D P | MP DN Ṡ - |
x 2
2) MP D PD Ṡ | Ṙ N D P |
x 2
3) SR MP D - | MP D Ṡ - |
x 2
4) MP DṠ .Ṙ - | ṘM .Ġ Ṙ Ṡ |
x 2

After singing the full line;

5) SR M G - | MP N D - |
0 3
DṠ Ṙ N - | D - Ṡ - |
x 2

Antara TANA

After ‘Tum hi ho jeevan’

1) SR MP RM PD | ṠN DP MP DṠ |
x 2
2) MP MP DṠ ṘṠ | ṘN DP MP DṠ |
x 2
3) SR MG RS RM | RM PD MP Ṡ |
x 2
4) MP MP DṠ DṠ | ṘṠ ṘṠ DP MP |
x 2
5) MP DṠ ṘṀ GṘ | ṠN DP MP DṠ |
x 2
6) RM RM PM PM | PD PD ṠṘ Ṡ |
x 2
7) SR ṠN DP MP | RM RM PD Ṡ |
x 2

Sthayi TANA

After ‘itni binati’

1) SR MG RS RM | PN DP MG RS |
x 2
2) SR SR RM RM | MP MP MG RS |
x 2
3) MP ṠN DP ND | PM PM GR S |
x 2


After the full line;

4) SR MP MG RS | RM PN DP MP |
0 3
DṠ ṘṀ ĠṘ ṠN | DP MP MG RS |
x 2
5) MG RS DP MP | MG RS NN DP |
0 3
MP DṠ ṘN DP | MP ND PM GR |
x 2