Thank u Costas,,fo d dedication,,,,,.

neelakantan sivan born in nagerkovil and worked in Thiruvanathapuram.excelent rendering of the beautiful song

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Nice

awesome!

there is deep bhavam/bhakthi in the songBho Sambho
balakrishnan

The involvement with which the charulata mani sang this song wonderful !!!cannot be expressed in words !!

pallavi
varuvArO varam taruvArO endan manadu shancalikkudaiyE eppOdu
(varuvArO)
anupallavi
tiruvArun-tenpuliyUr tiruchiTram palavANar gurunAthanAga vandu kurai tIrkkak-kanavu
kaNDEn iruvinaip-piNigaLaik-karuvaruttiDugirEn bhayappaDAdE enru sholla
(varuvArO)
caraNam 1
maraiyAlum vazhuttariyA mahimai peru naTarAjan naraiyUrum shEvaDiyai nambinavanallavO
anudinam shiva cidambaramenra aDimaiyenraruL purindiDavingE
(varuvArO)
caraNam 2
paNimArbum shenshaDaiyum pArkka manamuvandu paNiyum gOpAlakrisNan tudi
paramadayAnidhi bhavakkaDa vaDikkaDi perugudu nilaikkumO malaikkudu karaiyETra
(varuvArO)

Superb ! ! !

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Momentous song. Magnificent singing. Mesmerizing melody. Ultimately joyful and profoundly soothing.

what a song/ every dancer never go without this song ...on their stage performance

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Good ..........Aruna Sayeeram has sung it well too!!!

excellent

ShrIranjani raagam....Rupaka taalam...

raagam -rEvati

Pallavi : Hali,Oh Lord Shambhu,One who ''Self appeared"

anupallavi ; Source of Ganges ,Shankara,Oh merciful Lord who redeems me from this ocean of sorrow,samsAra.

CarNam 1 - Without gunas,one who is beyond time,past,present and future.Truth beyond gunas,beyond all things finite,Oh infinite,blissful,wondrous,ever the same lingA..

carNam 2 -This is just the rhythm of the dance of creation and destruction .

Meaning by ; Suhasini Jayakumar.

Thanks for adding info on raga and tala and lyrics of the song.

Thanks for info on raaga and thaala.

Very clearly enunciated ,very well sung

What raaga is this song?

Excellent!!! Ananda Kaneer....

nicely sung. I enjoyed the voice and rendering of song

GLORIOUS ...song

O Lord, of the splendor of a myriad suns..............Thillai vasane....The Lord of Thillai, Lord of the temple, The Lord of Chidambaram.........

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Raagam - Karnataka Devagandhari, janya of Kharaharapriya (22mk), Thalam - adi, Composer - Suddhanandha Bharathi

Raagam - Yadukula Kambhoji, janya of HariKambhoji (28mk), Thalam - adi , Composer - Maarimuthu Pillai

Raagam - Revathi, janya of Ratnangi (2mk), Thalam - adi , Composer - Swami Dayananda Saraswathi

Raagam - maanji, janya of natabhairavi (20mk), Thalam - misra chaapu , Composer - Gopalakrishna Bharathi

Raagam - poorvi kalyani, janya of gamanashramam (53mk), Thalam - roopakam , Composer - Neelakanta Sivam

Raagam - kamas, janya of harikamboji (28mk), Thalam - adi , Composer - Papanasam Sivam

Raagam - abhogi, janya of kharaharapriya (22mk), Thalam - roopakam , Composer - Gopalakrishna Bharathi

Raagam - mayamalavagowlai (15mk), Thalam - adi, Composer - Sri Muthuthandavar

A direct appeal....Very beautiful song.

Pallavi :----- Who has suffered after believing in you, O Lord Shiva ? O the husband ("naayakanai") of Uma! O the lord ("iraivanai") who resides in Tirumayil (?)........ Anupallavi :---- O Shiva, the lord who wears ("aninda") a crescent moon ("ambuli") on his forehead and the river ganga ("gangai") on his matted hair ("jataadharan"). You fulfill the desires ("manam valar") of those you worship you with love ("anbar"). O Shambhu! O Kapali!........ Caranam :---- Those who realize ("uNarnda") that there is nothing ("illai") created in the universe ("onrume payan") but you will subsequently ("pinbavar") reach you ("uNDenbAr")......... Every ("ovvoru") person ("manidanum") will have to leave ("eiduadurudi") this state of life ("in-nilai") one day ("oru nAL"), but they forget ("marandAr") this universal truth ("idai")........ On that day ("anru"), the time ("-pozhudu") when their body and speech ("sheyal azhindala") will cease to function ("maru-"), they will not be able ("vArAdE") to invoke your name ("Shivan Peyar") on their tongue ("nAvil")......... Therefore in preparation for that eventuality ("AdalinAl "), O Mind ("manamE"), start now itself ("inrE") getting into the habit ("pazhakku") of constantly chanting ("shollip ") the name ("nAmam") of Shiva, with love ("anbudan")....................................shivaraman kalyanaraman

An immensely moving song, handled sensitively by Charulatha Mani.........remembering that Nandanar was denied entry into Chidambaram due to his "lower caste status.

Having finally arrived at Chidambaram after a life-time of waiting, the humble Nandanar stood outside the main temple premises, asking the Lord, Dear Lord, ....Varugalamo..(literally, can I come ?)....Do I have permission to enter the temple..... to sing of you, celebrating your glory....Are you not the Supreme Lord of Eternal Compassion.....can I come to tell you how fortunate I am to see you, how obliged I am to see you....to tell you I have come to enjoy greatly your Divine cosmic dance...how I have been born on this earth only for you, I have been living on this earth a blighted life with no good deeds to speak of.... except this fortune.... to have this opportunity to see you, having finally arrived at the shores...to take refuge at your feet.............Can I come to tell you how my blighted life and sins end here, having seen you.......Do I have permission to come see you.....

This song is on Thillai-natha or The Lord who dances with his left foot raised......................Meaning from rshankar......................Oh mind/heart (nenjE), please serve (paNivaiyE) at the feet (aDi) of that naTarAja who dances (ADum) with his left (iDadu) foot (padam) raised (tUkki) [1]..............As he dances to the chanting of his praises (jaya jaya enavE) by his devotees (bhaktargaL) in cidambaram (tllaiyilE) to the delight of patanjali and vyAghrapAda (puli) [2] whose eyes (iru kaN - 2 eyes) were refreshed/pleased (kuLira) by the awesome sight, the snake (aravADa) around his neck (with its hood fanned out - paDa), and his tiger-skin (puli adaL) garments dance/move along (ADa).............With steps so firm that the anklets (cilambugaL) adorning his divine (tiru) feet (aDi) make a ringing sound (galIr galIr ena); as slivers of light (oLi) flashing (paLIr paLIr ena) from the crescent (iLam) moon (madi) in his locks (tirumuDi) illuminate the skies; as the drum (maddaLam/mattaLam) that vishNu (tirumAl) plays reverberates (adhira) to (ena) the solkaTTu 'dhimi taka tarikiTa tOm', my Lord, the consort (maNALan) of SivakAmi dances in (tanilE) the sacred (tiru) city of cidambaram (ciTTrambalam) [3] with (ODu) a smile (punnagai) illuminating his features....................... FOOTNOTES [1] muttutANDavar in a beautiful composition asks the Lord why his left foot is the one that is raised in most places - some of the possible reasons he comes up with make him wonder, "is it because you do not want to bear your weight on that half of your body that has been given over to pArvatI?" OR "is it because your left foot hurts from having kicked yama to protect mArkaNDa?" - It is only in madurai that his right foot is raised - supposedly in response to the entreaties of a pANdya king who felt that his right foot must hurt after bearing his weight continually for all those years - so, to accede to his requests, Siva dances in the veLLi ambalam of madurai with his left foot planted and valadu/right padam raised. This incident is lyrically described by Smt. ANDAvan piccai in one of her compositions. [2] The express purpose of the tANdava nrityam in cidambaram was to bless AdisESa and vyAghrapAda with an opportunity to witness the cosmic dance - AdisESa incarnates as the sage patanjali, and meets up with vyAghrapAda, and the Lord, without failing, dances for them in tillai, on the holy day of guru pUSam in the tamizh month of tai (January 15 to Feb 14), during the daytime, described vividly in naTanam ADinAr of Sri GKB. [3] I think 'tiruciTTrambalam tanilE' can also be interpreted as 'in (tanilE) the hall/open space (ambalam) located in our consciousness (cit)'

iDadu padam tUkki ADum naTarAjanaDi paNivaiyE nenjE............ .paDa aravADa puliyadaLADa bhaktargaL jaya jaya enavE puli patanjali iru kaN kuLira tillaiyilE...........caranam...... tiruvaDi shilambugaL galIr galIrena tirumuDi iLamadiyoLi paLIr paLIrena dhimi taka tarikiTa tOm ena tirumaal maddaLam adhira shivakAmi maNALan tirucciTrambalam tanil punnakaiyODu...........

thank you sh yama for understanding the song fully and enjoyed vneelakantan

bhO shambhO shiva shambhO svayambhO............ gangAdhara shankara karuNAkara mAmava bhavasAgara tAraka.......... caraNam 1 :------- nirguNa parabrahma svarUpa gamAgama bhUta prapanca rahita nija guhanihita nitAnta ananta Ananda atishaya akSayalinga............caraNam 2 :------ dhimita dhimita dhimi dhimikiTa kiTatOm tOm tOm tarikiTa tarikiTakiTa tOm matanga munivara vandita Isha sarva digambara vESTita vESa Isha sabEsha sarvEsha

Fantastic!!!

****** Anandha naTam ADuvAr ******* rAgam : pUrvI kalyANi //// thALam : rUpakam ****** pallavi :------ Anandha naTam ADuvAr thillai ambalam thannil aDipaNibavarkku apajayam illai (Anandha) ---- anupallavi :----- thAnandam illAdha rUpan thajjam thakajham thakajhaNu thaLAngu thaka thathingiNathOm thaLAngu thaka thathingiNathOm thaka dhimi thaka thathingiNathOm en (RAnandha) ----- caraNam 1 :---- vanycakam illAdha aDiyAr kuvikka vAnavar munivar Anavar thudhikka canycala vizi mAdhumaiyAL maDikkath -thakkiTa tharikiTa thongiTa dhiththimi dhimi thaka thathingiNa thakathOm thakathOm thakathOm thaka dhimi thaka thathingiNathOm en (RAnandha)----- caraNam 2 : ------ bhAgya muyalagan mIdhoru kAl thAkkip bhakthar thozha maRRa oRRaikkAlum thUkki Akki aLippOrai mELakkArar Akki ambara nAtha cidhambara shambhu sadAshiva sundhara arai maNi shala-shalavena aNi paNi khala-khala vena (Anandha) ----- caraNam 3 :------ pAdhi madhi jyOthi phaLIr phaLIr enna pAdha shilamboli ghalIr ghalIr enna Adhi kaRai uNDa nIlakNTham minna ara pura hara shiva sundhara aruL gurupara shiva shankara aNDamum piNDamum ADiDa eNdhicaiyum pugaz pADa (Ananda) *********Courtesy :------shaivam.org

One of Neelakantan Sivan's popular songs.VERY beautiful.

Sweet entreaty.

Thanks Hummaa for correcting. Bho Shambho sound's great in CharulathaMani's voice.

The lyrics for this great Sivan's kriti in Hindolam are as under Pallavi- Nambikettavar Evarayya- Umai Nambikettavar Evarayya- Umai Nayakanaith thirumayilayin Iraivanai- Umai Nayakanaith thirumayilayin Iraivanai- Umai Nambikettavar Evarayya Anupallavi- Ambuli Gangai Anindha Jataadharan- Ambuli Gangai Anindha Jataadharan- Anbar Manamcover Shambu Kapaliyai Ambuli Gangai Anindha Jataadharan- Anbar Manamcover Shambu Kapaliyai-(Nambikettavar) Charanam- Onrume payanillai enrunarndha pinbavar undenbaar Onrume payanillai enrunarndha pinbavar undenbaar Ovvoru manidhanum orunaal innilai eidhuvar urudi idhai marandhaar Ovvoru manidhanum orunaal innilai eidhuvar urudi idhai marandhaar Anru seyalazhindalam varumpozhudhu ivan peyar naavinil vaaradhey Anru seyalazhindalam varumpozhudhu Sivan peyar naavinil vaaradhey Aadhalinaal manamey inrey Siva naamam sollip pazhagu.. Aadhalinaal manamey inrey Siva naamam sollip pazhagu anbudan Nambikettavar Evarayya- Umai Nayakanaith thirumayilayin Iraivanai Nambikettavar Evarayyaa

Thanks Hummaa for correcting. Charulatha Mani's version of Bho Shambho is excellent.

Good as it should be, Thanks for your positive response.

The song "Bho Shambo" is corrected and uploaded in the album "Bho Shambo" http://www.hummaa.com/music/album/23248/Bho+Shambho Please check.

In the entire list of Hummaa's songs there is no such song Bho Shambo. The album is titled as Bho Shambo. But the qestion is where to find this beautiful song? Can anyone guide or even try to upload the same? I will be extremely obliged.

what happened to bho shambho?

Best rendition of this excellent song...enjoy listening...

i too was disappointed as Mr.anand

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EXCELLENT

Are we sure that this has been composed by Swami Dayanda Saraswathi.?

its really very good collection!

When playing Bho sambho song,itis playing Kaalai thooki nindru........I just disappointed

nice voice

excellant song